Here is how they announced the article:Premier Guitar April 2014: Gear connoisseurs rejoiceâ€”we just got back from the Winter 2014 NAMM show in Anaheim, California, and here we’ve got the top 28 guitars, basses, amps, and stomps to covet in 2014. We also get to talk to John Frusciante about his long-awaited solo album, be a fly on the wall as bass legends Will Lee and Nathan East interview each other, and hear the latest from roots-rocker Jimbo Mathus and classical virtuoso Jason Vieaux. Meanwhile, luthier/pickup maker Tom Jones (TV Jones) writes about the history of the baritone guitar. Our gear reviews this month include the Line 6 POD HD Pro X, Eastwood Airline Map Baritone, Vox Night Train G2 NT15C1, Carvin PB4, MXR Phase 99, Lowden 32 SE, Synaptic Groove Snapperhead, Markbass Bass Multiamp, Solid Gold FX Zeta, and Fender Kingman Pro Custom.
And here are a couple of excerpts from the interview:
How did you conceptually select songs for Enclosure?
My object was not to feature my songs, but to use the songs as a place to express myself sonically and rhythmically, with the drums as the primary instrumentâ€”more so than the melody. That’s really the change that’s taken place in the last 30 years in electronic-based forms of music. Drums have moved to the top of the hierarchy of musical elements, and typical chord changes or other elements aren’t a necessity in making music. In some ways I can go farther out than I’d be able to go if I didn’t have a song beneath me. For instance, the stuff I’ve done with chopping up jazz drum solos, doing drums that are in time with the song on certain accents and off time on other hits. I haven’t heard anybody go that far with sampling and chopping up off-time drums.
Is expression the same for you on all instruments? Or is guitar a special tool?
The guitar is the best way for me to study other people’s music. Since I started playing, I’ve probably spent more time learning off records than doing any other activity in life. Doing that has so many values, among them the ability to think about music in intellectual terms. Not just hearing what you like and enjoy, but analyzing it and getting inside the heads of the people who played or wrote it. I like learning all the parts of a piece of music so I really know why I feel what I feel in the best terms that my mind is capable of understanding. I like to play one of the parts, but be able to visualize the rest of the parts and think about their relationship to each other in terms of intervals and rhythmic spaces.
What guitars did you use on Enclosure?
My main guitars are Yamaha SG2000s. My favorite is a purple one from 1980. I have a few others, and a few SG1500s. I switched from the Strat to the Yamahas in late 2010. I’ve played the Strat once in the last three years, and only on one little recording.
You can read the entire article titled John Frusciante: War and Peace on Premiere Guitar’s website for more answers, a complete list of the gear he’s used on Enclosure and a photo of his home studio.
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